“A nugget of 50-years-late-breaking psychedelia out of Nashville, ‘Hey Man’ circles through four chords and flaunts a distorted guitar hook, jazzy drumming and an elaborate but transparent throng of voices and guitars behind Liz Cooper’s straightforward come-on.” —The New York Times
“A gorgeously arranged and performed bouquet of psychedelia-tinged folk-rock…”
“…to draw a line from Window Flowers to any period of rock and roll, it would be that of the Paisley Underground and bands like The Dream Syndicate, where beautiful and languid psychedelia met moody folk and rock based songs. Cooper taps into this and more on her debut, wrapping her reverbed vocals in swirling, warm echoes of sound and nuanced musical lushness thanks to the addition of keyboards, pedal steel, a glockenspiel here and a banjo there.” –NPR Music
“Call it psychedelic, call it classic or call it the sound of new Nashville. Liz Cooper & The Stampede are leading the rock pack in Tennessee right now…[Window Flowers is] one of the summer’s most refreshing listens.” –NPR World Cafe
“Sharpening up her guitar attack, Cooper pushes her strand of folk rock deep into psychedelic territory by merging her idiosyncratic vocal style with swirling, droning guitar effects and lacerating solos that feel dusted with otherworldly magic…yearning for natural beauty and transcending one’s surroundings permeates Window Flowers…” —Rolling Stone